Last Wednesday was Mtskhetoba, a national holiday, so Khatuna had the day free and we decided to visit Uplistsikhe just outside Gori. We took a public taxi with two other people and arrived at the bus station/bazaar in Gori around 12:30, where we did a bit of quick shopping for our planned mtsvadi dinner.
After walking around for a while we found some nice-looking veal for our mtsvadi, as well as a set of shampurebi (skewers) that we’d been looking for for a while. This picture is from the butcher’s section of the market, where all sorts of livestock detritus is scattered on table-tops or dangling from meat-
hooks. The smaller-scale butchery is all done in the market: tree-trunks serve as the platforms on which legs are hacked to size; ribs are chopped with large axes, and heads are meticulously stripped of any sellable flesh. The people working there are friendly and helpful; the guy who sold us our veal happily cut our onions for us, while his partner laughed as his friend’s eyes watered and told me to take a picture of him weeping over our onions. When I asked in hesitant Georgian at a nearby shop for a small portion of salt—perhaps half a cup—the young man poured the salt into a bag and with friendly but firm earnestness refused to accept any money.
Once we had all our stuff, we headed out to Uplistsikhe, a few kilometers from town. As we were about to cross the bridge, flanked with tanks and military vehicles, we were waved to a stop and had to wait about ten minutes. A guy standing next to me told me it was filming for the American film about the August war; I checked it out and found that it’s being directed by Die Hard 2 director Renny Harlin and starring Andy Garcia as Saakashvili! Should be interesting. Here are some pictures.
We spent a couple hours wandering around the site and then left to prepare our dinner; here are some of the pictures.
From the Lonely Planet guide: “Uplistsikhe is one of the oldest places of settlement in the Caucasus. It was founded in the late Bronze Age, around 1000 BC, but developed mainly from the 6th century BC to the 1st century AD. This was one of the principal political and religious centres of pre-Christian Kartli, with temples dedicated principally to the sun goddess. Archeological findings from the 4th to 6th centuries AD speak of an ongoing struggle between Christians and adherents of the old religion.”(76)

"Known as the Theater, this is probably a temple from the 1st or 2nd century CE, where religious mystery plays may have been performed. Note the ceiling with octagonal designs similar to Caracalla's Baths in Rome." (LP)
At the end of his section on Uplistsikhe, Roger Rosen relieves himself of a somewhat bizarre poetic-moral reverie: “Uplistsikhe is one of those eerie places that confirm so eloquently the Old Testament injunction against vanity. Looking over all the burrows in the soft stone and feeling the wind erode the structures even as you stand there, you can’t help but be spooked by all this troglodytic ambition and what remains of it.”(162) I can’t help pursuing this tangent: Vanity? Ambition? The vanity of troglodytic ambition? There may well have been a degree of pride in the vast town carved out of the stone—and quite right, too—but I didn’t get any Ozymandian vibes while communing with the caves. Especially considering the fate that overtook it (those damn Mongols again), some ingenuity in constructing one’s settlement in the very stone of the mountains seems less like vanity than a mixture of shrewd opportunism (the stone is quite soft) and a sort of wary, far-sighted prudence; and its destruction less an eloquent confirmation of Bronze Age sanctimoniousness than simply another instance of the depredations of the Mongols. Perhaps the fact that Uplistsikhe was being built around the time the Jews were compiling their Book provided Rosen with an irresistible but facile temptation to moralize. But really, in my opinion, Leviticus and Deuteronomy hardly provide an edifying contrast to whatever pagan excesses might have been perpetrated in Uplistsikhe, let alone in the greatly superior Hellenistic culture to whose decline it contributed. If one must sacrifice creatures, it might as well be to the sun—the warm, life-giving sun! the sun which, as it emerged wan and pale from the pitiless Polish winter, made Primo Levi understand how people could worship it—rather than, as Richard Dawkins polemically puts it, to “a petty, unjust, unforgiving control freak, a vindictive, bloodthirsty ethnic cleanser, a misogynistic, homophobic, racist, infanticidal, genocidal, filicidal, pestilential, megalomaniacal, sadomasochistic, capriciously malevolent bully.” So. Back to the pictures.
A great day.
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